The Buk Shop
The Outsider 2 Featuring Two First Appearance Poems by Charles Bukowski (1962)
The Outsider 2 Featuring Two First Appearance Poems by Charles Bukowski (1962)
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Published in 1962 by LouJon Press, The Outsider 2 featured two first appearance Charles Bukowski poems:
- Sick Leave
- To A Lady Who Believes Me Dead
Surprisingly, neither poem would ever be published by Black Sparrow Press.
It would take 45 years for Sick Leave to be published again when it appeared in The People Look Like Flowers At Last (2007).
Bukowski also submitted the Sick Leave to South And West magazine, where it also appeared in 1962. Bukowski also selected it for his book Cold Dogs in the Courtyard, published in 1965.
Other contributors in this issue include William Burroughs, Jack Kerouac, Henry Miller, Kenneth Patchen, Gregory Corso, Jean Genet and many others. Black and white photographs of New Orleans musicians and illustrations by Kenneth Patchen
This copy is in Near Fine-minus condition with small bumps to all four corners, the ones on the top and bottom corners minimally impacting the interior pages. The front tissue paper also has tears
An important publication not only for Bukowski collectors, but for the small press, New Orleans and literary history as a whole.
John Edgar Webb and Louise “Gypsy Lou” Webb were the founders of LouJon Press. They published four issues of The Outsider magazine, which became the standard for poetry journals at the time. No other publication attracted nearly the talent that appeared in its pages and the production value of the magazine itself was unrivaled. Bukowski appeared in all four issues, with a large collection of poems in Outsider 1 (1961) and as the named “Outside of the Year” in Outsider 3 (1963), featuring Bukowski on the cover and a large center section.
The Webbs were also responsible for transforming Bukowski into an established writer, even if fame wouldn’t occur until years later. They published Bukowski’s first true books, “It Catches My Heart In Its Hands” (1963) and “Crucifix in a Deathhand” (1965). These books are true works of art in and of themselves. The detail, the printing methods, the craftsmanship, and the pure insanity it took to undertake these endeavors was as unparalleled then and as it is today.
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